The Falling Soldier, or Loyalist Militiaman at the Moment of Death, Cerro Muriano, September 5, 1936
The image, known as Death of a Loyalist militiaman or simply The  Falling Soldier, has become almost universally recognized as one of the  greatest war photographs ever made. The photograph has also generated a  great deal of controversy. In recent years, it has been alleged that  Capa staged the scene, a charge that has forced me to undertake a  fantastic amount of research over the course of two decades. I  have wrestled with the dilemma of how to deal with a photograph that one  believes to be genuine but that one cannot know with absolute certainty  to be a truthful documentation. It is neither a photograph of a man  pretending to have been shot, nor an image made during what we would  normally consider the heat of battle.
—Richard Whelan in “This Is War! Robert Capa at work”.

The Falling Soldier, or Loyalist Militiaman at the Moment of Death, Cerro Muriano, September 5, 1936


The image, known as Death of a Loyalist militiaman or simply The Falling Soldier, has become almost universally recognized as one of the greatest war photographs ever made. The photograph has also generated a great deal of controversy. In recent years, it has been alleged that Capa staged the scene, a charge that has forced me to undertake a fantastic amount of research over the course of two decades. I have wrestled with the dilemma of how to deal with a photograph that one believes to be genuine but that one cannot know with absolute certainty to be a truthful documentation. It is neither a photograph of a man pretending to have been shot, nor an image made during what we would normally consider the heat of battle.

—Richard Whelan in “This Is War! Robert Capa at work”.